Aipan is one of the traditional art (painting form) of
Kumaon. It has great social, cultural and religious significance. Aipans are
known by different names and is in popular in many parts of India with larger
variations. It is called Alpana in Bengal, Satiya in Gujrat, Rangoli in
Maharashtra, Chowk pooran in UP, Kolam in south India, Madne in Rajasthan,
Arichan in Bihar and Bhuggul in Andhra.
In Uttarakhand, aipan are popularly drawn at places of worship, houses, and main entry doors of house and in front courtyard. Some of these artistic creations have great religious importance and these are drawn during particular religious ceremonies or auspicious occasions such as marriages, Threading ceremony, naming ceremony etc. to perform rituals while others are for particular God / Goddess and a few for aesthetic look.
This art is carried over generation by generations and mothers pass it on to their daughters and daughter in laws. However, with the wind of modernization blowing, this art is depleting fast. Our younger generation, born and brought up in cities outside Uttarakhand might not be familiar with it. As a humble attempt to spread awareness of our cultural heritage does not get eliminated in the wind of modernization, I have collected information from various sources and posted here for the benefit of everyone.
Traditional Aipan The traditional aipan of Kumaon are drawn in linear art, geometrical designs, Flowers or imprints. These are mostly drawn for decorative purpose.
In Uttarakhand, aipan are popularly drawn at places of worship, houses, and main entry doors of house and in front courtyard. Some of these artistic creations have great religious importance and these are drawn during particular religious ceremonies or auspicious occasions such as marriages, Threading ceremony, naming ceremony etc. to perform rituals while others are for particular God / Goddess and a few for aesthetic look.
This art is carried over generation by generations and mothers pass it on to their daughters and daughter in laws. However, with the wind of modernization blowing, this art is depleting fast. Our younger generation, born and brought up in cities outside Uttarakhand might not be familiar with it. As a humble attempt to spread awareness of our cultural heritage does not get eliminated in the wind of modernization, I have collected information from various sources and posted here for the benefit of everyone.
Traditional Aipan The traditional aipan of Kumaon are drawn in linear art, geometrical designs, Flowers or imprints. These are mostly drawn for decorative purpose.
Aipan of Door Steps

Vasudhaara
Pooja Vedika, door steps of house, Place of worship, Tulsi
(A structure made around the Tulsi Plant) etc. are decorated with vasudhara.
Without Vasudhara, Aipan are considered incomplete. These are made y painting
the place with ‘Geru’ (filtered red colour soil) and thereafter making vertical
lines by dripping ‘Bishwar’ (soaked rice powder). The dripping of ‘biswar is
carried out by Anamika (Ring finger?). These are drawn in the blocks consisting
lines in odd numbers like 5, 7, 9 or 11.
Swastik
Different lines joining at rectangle representd ifferent religions. These all lines join each other at the center which is the place for ‘Omkar’. The lines are surrounded by dots, which too have a special significance. Any Aipan without dots are considered incomplete and inauspicious. During drawing the Aipan, one have to take care that the group or block of lines in traditional Aipan should end with the dots.
Aipan without dots are drawn on the 12th day of some ones death (Peepal Pani or Shanti Path). On third day, these Aipan without dots are removed and fresh aipan with dots are drawn showing end ofm ourning period. Astadal Kamal
This aipan is drawn at the place where ‘Havan’ is performed.
It is an octagonal geometry with lotus petals and a swastik is drawn at the
center. Lakshmi Padchinha
On Deepawali day, footprints of Goddess Lakshi are drawn
from main entrance of the house to place of worship. Lakshmi Peeth
This aipan is drawn at the poojasthal (place of worship)
wherew orship of Goddess Lakshi, the goddess of wealth and prosperity, is
performed on particularly on Diwali day. Bhuiyan
Bhuiyan refers to the negative & harmful powers or bad
omen. This is drawn on outer side of a ‘Soop’ which is generally a very ugly
and bad looking sketch of a demon. On the inner side of the ‘soop’
Lakshi-Naranyan are drawn. On a particular day, this ‘soop’ is beaten with a
sugarcane stick at every room and corner of the house. This refers to ousting
of bad omen, ill fate or negative powers andw elcome of Lord Vishnu and goddess
Lakshi, the God / Goddess of happiness and prosperity. Dhuliarghya Var Chauka
At the time of Dhuliarghya, the bridegroom is made to stand
on the Chauka when introduction and welcome of bridegroom is performed by
chantingv edik mantra. Acharya Chauka
Acharya, ‘the kulguru’ who performs the marriage rituals
from bridegroom’s side stands on this chauka at the time of dhuliarghya. Janeo
At the place of ‘Janeo’ or threading ceremony, drawing this
aipan is mandatory. This drawing has 15 dots in the center. Traditional it is
also drawn at the place where men change their ‘janeo’ on Raksha Bandhan day.
Rangwali Pichhora
In the center, a ‘Swastik’ is drawn and in four quadrant of
swastik, Sun, Shankh (Cronch shell), A Bell with ‘Om’ and Goddess are drawn.
The swastik is made by drawing some geometrical drawings or leaves and flowers
and then surrounded by small dots. Then dots of larger size
are printed all over. This printing is surrounded by a beautiful border. After
border, lace and kinari or jhalar is stitched to make is more colourful,
attractive and lively.
Theses sketches drawn in the pichhora has religious significance
also. The Swastik represents al the gods and goddesses. It is drawn in some
form or the other at all the religious rituals. It denotes the
‘karmyoga’. Its four arms pointing forward inspire to move ahead. The center of
swastik is ‘Om’ which has great importance in meditation and spirituality.
In olden days, it was made at home. A few meters of white
cloth was washed and dyed first in yellow colour and then dots were printed
with the help of a coin wrapped in cloth. Common colours available in market
were used for it earlier but now Rapid colours are being used. The homemade
pichhora were printed with ordinary colours, which used to spread on getting
moist. The process of drawing / printing by hand was very tiresome and sometime
the results were also not so good.
In
later years, some businessmen started printing it with Rapid colours.
CUISINES
The recipes given below are selected specialties of
Uttarakhand. You are advised to taste these Recipes and carry for your Family, Friends and of course for you.
Kumaon has its own distinct, impressive culture, traditions
and more so over its exquisite, mouthwatering dishes. Having visited the
enchanting mountain land, what you won't miss here is its cuisine's, the delicious, appetizing dishes.
Sweet Dishes
Jhangora ki Kheer:
It is a very popular sweet dish of this fascinating region.
It is high on taste as well as nutritious. It is a favorite dish and like by
everyone.
<-Singori:
Another testy sweet which is a specialty of Kumaon and is
prepared from Khoya (Condensed Milk) and coconut. A special feature of this
sweet is that is requires a leaf named 'Molu" which is found in the hills
of Uttrakhand.
It is a high calorie sweet. Its specially is that it is only
prepared during festivals. It is local sweet snack. Banana is also used in this
dish.
Different Type of Breads
It is a Chappati made of Mandua Flour, which is a local
cereal and very high in fiber which makes it very nutritious.
This is a local preparation, which is served in Breakfast,
Lunch or Dinner. This bread is eaten with a lot of Butter or Ghee. It can also
be eaten with Curd and Mango Pickle or Mixed Pickle.
APPETIZER
Raita in Kumaon is prepared in a very special way unlike
Raita' made in other parts. It is mainly served at lunchtime and highly
enriched with cucumber, mustard seeds, green chilies, coriander etc.
Wow! Mouth waters the moment you have a flavor of this
refreshing and tempting mixture of radish, lemon, curd and paste of bhang
seeds. It is usually eaten during winter seasons.
Bhaang Ki Khatai (Sour Chutney)
Mixed Dal Salad->
Some Green Vegetables
Sisunak Saag:
This is a green curry that is served in lunch or dinner and
is eaten with Bread, Pita, Roti & Boiled Rice. This is a dish, which is
very sumptuous as well as nutritious since it is a special preparation of
Spinach.
Alu ke gutke is a typical Kumaon snacks and is enjoyed by
all. The most exciting thing of this dish is the way of serving. Red fried
chilies, coriander leaves and some time with tomatoes garnish it also. It is
very spicy.
Dishes of various ingredients
Rus is a typical delicacy of Kumaon. It consists of a number
of Dals. It gives the tasty flavor of every ingredient used and is a favorite
dish of Kumaon people.
This is commonly prepared in every house in Kumaon. It is
like curry and taken with rice.
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- Fairs and Festivals
- Music and Dance
Kumaonis are fond of music, folk dance, and songs accompanied by local musical instruments like murli, bina, and hurka. The hurka is played by the“jurkiya” and the dancer accompanying him, known as “hurkiyari,” is usually his wife or daughter. They go from place to place narrating folklores, singing the praise of their gods and goddesses. During fairs and festivals and at harvest time, they often dance the Jharva, Chandhur Chhapalior,and many other forms of folk dances. The popular folk songs are Malushahi, Bair, and Hurkiya Bol.
- Festivals

The uniqueness of the Kumaoni Holi lies in its being a musical affair, whichever may be its form, be it the Baithki Holi, the Khari Holi or the Mahila Holi.The Baithki Holi and Khari Holi are unique in that the songs on which they are based have touch of melody, fun and spiritualism. These songs are essentially based on classical ragas. No wonder then the Baithki Holi is also known as Nirvan Ki Holi.
The Baithki Holi begins from the premises of temples, where Holiyars (the professional singers of Holi songs) as also the people gather to sing songs to the accompaniment of classical music.Kumaonis are very particular about the time when the songs based on ragas should be sung. For instance, at noon the songs based on Peelu, Bhimpalasi and Sarang ragas are sung while evening is reserved for the songs based on the ragas like Kalyan, Shyamkalyan and Yaman etc. The Khari Holi is mostly celebrated in the rural areas of Kumaon. The songs of the Khari Holi are sung by the people, who sporting traditional white churidar payajama and kurta, dance in groups to the tune of ethnic musical instruments.

Harela and Bhitauli
On the first day of the navaratris (nine day holy period) of the month of Chaitra women fill baskets with soil and sow seven types of grains in them. The grains germinate symbolizing the future harvest. These yellow leaves, called Harela, are cut on the tenth day and people put them on their heads and behind their ears. During the month of Chaitra (March-April) brothers send presents to their sisters and parents to their daughters. These presents are called Bhitauli.
However, the more popular Harela is the one that is celebrated in the month of Shravan to commemorate the wedding of Lord Shiva and Parvati and to welcome the rainy season and the new harvest. On this day people make Dikaras or clay statues of Gauri, Maheshwar, Ganesh etc. and worship them. Even the overworked bullocks are given a rest on the occasion of Harela. People put the blades of freshly cut Harela on their heads and send them to their relatives and friends as well.
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